Reading other reviews of The Metamorphosis, I am struck by how
impressions of this book seems to reveal more about the reader than the
author's intent. How do you approach subtext, metaphor, and unreliable
narration? How do you interpret interpersonal tensions, familial
relationships, and introspection?
In my reading, this is a book
about a crisis of self, and of how this impacts a family. Gregor is a
young man who is the sole income earner for his aging parents and
younger sister, working a dreary and arduous job that brings him little
social recognition. Famously, he wakes up one morning having been
transformed into a bug.
Or rather, in my reading, one may as well
describe what has happened as a metamorphosis into an insect. In an
existential crisis, how else can he describe the way questioning his
place in the world and his possible futures makes him completely change
his sense of self?
This crisis could be brought on by anything:
coming out of the closet, suicidal ideation, loss of faith. From a
Doylist perspective, this monstrous metamorphosis is a convenient
narrative device. To discuss any one of these challenges is to need to
speak of their particulars. The absurd and unexplained transformation
into a bug allows you to discuss their similarities.
Gregor's
family responds at first in revulsion. His sister starts to treat him
with sympathy, but never real closeness; she does not speak to him, does
not recognize his humanity. For a while, his parents ignore him, hoping
he will return to his old self. His family members deal with their own
self identity crises, as they deal with their shame of him. Having
relied on his income, they find themselves in financial difficulties,
and resort to unglamorous work, selling their valuables, and taking in
borders. Throughout, Gregor’s affection for his family is shown through
his longing for the days they would gather around the dining table and
his worries about their financial difficulties and health. But he is
unable to be in company with them or to help them through their
difficulties, because he is a bug.
In a climactic moment,
Gregor’s mother’s attempt to bridge the chasm between her and Gregor
hits a stumbling block, and is misinterpreted by Gregor’s father, who
begins bombarding him with household items before being stopped by his
mother.
No-one dared to remove the apple lodged in Gregor’s flesh, so it remained there as a visible reminder of his injury. He had suffered it there for more than a month, and his condition seemed serious enough to remind even his father that Gregor, despite his current sad and revolting form, was a family member who could not be treated as an enemy. On the contrary, as a family there was a duty to swallow any revulsion for him and to be patient, just to be patient.The result is both a recognition of Gregor as family (albeit still not human recognition or emotional closeness), but also a fatal wound. Gregor ceases to eat, and slowly wastes away. A financial setback is the sister’s last straw, and she breaks down, asking her father to “try to get rid of it” — “it” being Gregor. Already near death, Gregor drags himself away to die.
He thought back of his family with emotion and love. If it was possible, he felt that he must go away even more strongly than his sister.It is a bleak story. For all his love for his family, his transformation prevents him from expressing it and prevents them from seeing him for who he is. In the end, he becomes only a burden to them, his passing nothing but relief. There is little suggestion that things could have gone another way, that such a metamorphosis could be handled better in the future.