"There is still one [city] of which you never speak. ... Venice," the Khan said. Marco smiled. "What else do you believe I have been talking to you about? .... Every time I describe a city I am saying something about Venice."
Are cities defined by their people? Their buildings? Their history? Their rhythms? Are cities designed? Or organic? Is a city knowable, or is a city really a thousand different cities all at once depending on whose eyes you see through? The answer to all of these contradictory questions is “yes, and they’re also so much more!”
Calvino sets all these facets of cities aglow through a series of vignettes of fantasy cities strung between a thin frame story of Marco Polo describing his travels to Kublai Khan. The cities are imbued with magical realism, sometimes veering towards surrealism and the absurd.
The highs of the book stood out, but as a whole, it didn’t quite come together for me. I found the dynamic between Polo and Khan a little uninteresting. Some of the vignettes didn’t spark much in me. But the ones that did sparkle made me think, “yes, cities are just like that, and they’re beautiful.” It’s a book for city lovers.
I highlighted a number of lines, here are a few I'll append for safe-keeping:
“Forced to remain motionless and always the same, in order to be more easily remembered, Zora has languished, disintegrated, disappeared. The earth has forgotten her.”
“I could tell you how many steps make up the streets rising like stairways, and the degree of the arcades’ curves, and what kind of zinc scales cover the roofs; but I already know this would be the same as telling you nothing. The city does not consist of this, but of relationships between the measurements of its space and the events of its past:”
“In every age someone, looking at Fedora as it was, imagined a way of making it the ideal city, but while he constructed his miniature model, Fedora was already no longer the same as before, and what had been until yesterday a possible future became only a toy in a glass globe.”
“In Chloe, a great city, the people who move through the streets are all strangers. [Very Jane Jacobs!] At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping.”
“However the city may really be, beneath this thick coating of signs, whatever it may contain or conceal, you leave Tamara without having discovered it.”
“The city is redundant: it repeats itself so that something will stick in the mind. … Memory is redundant: it repeats signs so that the city can begin to exist.”
“Why do you speak to me of the stones? It is only the arch that matters to me.” Polo answers: “Without stones there is no arch.”
“You reach a moment in life when, among the people you have known, the dead outnumber the living. And the mind refuses to accept more faces, more expressions: on every new face you encounter, it prints the old forms, for each one it finds the most suitable mask.”
And my favourite vignettes that don’t work in excerpts:
- Trading Cities 4, on a city that is an intricate spider web of relationships
- Cities & Signs 5, on a city whose prosperity floats atop sooty wretchedness.
- Cities & the Dead 3, on two parallel cities of the living and the dead